The work of Alfredo Káram seeks to represent the city as an apparent construction ground, resulting from internal thoughts full of subjectivity. The series of him, address the experiential way of understanding and experiencing the city, expressing the citadinos spaces as a dream, a virtual reality that combines with a horizon of multiple experiences that oppose each other. For him, in cities, an aesthetics that produces echoes in memory are revealed, they stated not only ways to understand the world but of understanding of the subject itself. Likewise, he seeks to unify the daily life of said experimental urban experimentation with situations of the human subconscious; It is a logic where reasoning is subjugated to instinct, emotions. He traces, in this sense, a state of pure thought capable of suggesting images overturned in desire. These meetings are addressed by Káram from the perspective of the dream and fears.